WORKS: BY CATEGORY AND DATE OF COMPOSITION
SOLO INSTRUMENTAL WORKS
Chaconne by Attrition for solo violin (2006) (ACA) 10:00
WHAT WE OWE THE INVERTEBRATES: Music, Video and Text Pieces by Matthew Greenbaum Chelsea Art Museum. April 30 2008 Miranda Cuckson, violin
iTunes: Miranda Cuckson/Furious Artisans
Per Viola Sola (2001) (ACA) 5:00
Stephanie Griffin, JakArt 2001 Festival: Jakarta, Indonesia
The War Between the Mice and Frogs, for solo cello (2000) (ACA) 8:00
Da Capo Chamber Players/André Emilianov
January 28, 2003: Kaufman Concert Hall NYC
Sonic Boom/Christopher Finckel
October 20, 2000 Cooper Union NYC
Click here to LISTEN to an excerpt
Mute Dance, for solo guitar (2000) (Cygnus Editions) 7:00
Oren Fader/The Cygnus Ensemble
December 11, 2002: New York Society for Ethical Culture
December 4, 2002: Sarah Lawrence College
iTunes: William Anderson/Furious Artisans
Balletti, for solo percussion (1998) (ACA) 5:00
James Preiss, Manhattan School of Music, November 8, 1998
MUSIC FOR PIANO
How
the Axe Escaped the Woodsman (1999-2008) (ACA)
5:00
Ballate
for piano (2005) (ACA) 7:00
Blair
McMillen, piano
24 April 2005 Bloomingdale House of Music NYC
4 May 2005 The Italian Academy at Columbia University
iTunes: Blair McMillen/Furious Artisans
Amphibian
for Two Pianos (2003) 7:00
for the
Bugallo-Williams Duo
Elegy
for piano (1998) 5:00 (ACA)
David
Holzman
November
8, 2002: C. W. Post College NY
February
8, 1999: William Paterson University NJ
May 7, 1998: Tel Aviv University
March 16, 1998: Christ & St. Stephen’s Church NYC
David Holzman/Centaur Records 2789
Amulet,
for piano solo (1990) (Tunbridge Music) 14:00
Anthony
DeMare: December 9, 1992: WNYC-Radio, Around New York
Randall Hodgkinson: February 3, 1992: Lehman Hall, Harvard
University
David Holzman: Darmstadt Summer Festival 1994, Leningrad
Spring Festival 1991,Oct. 9 1990:
Merkin Concert Hall, NYC, Nov. 13, 1990 Southwest Texas
Contemporary Music Festival
Kathleen
Supové: April 1, 1992: Extension Works, Boston
David Holzman/Centaur Records 2291
CHAMBER
MUSIC
Venerable
Canons, for flute and violin (2007)
(ACA) 8:00
Miranda
Cuckson in recital. North River Music Feb. 7 2008
Bau,
for English horn, violin, cello, banjo and guitar
(2006)
12:00
(Cygnus
Editions)
The
Cygnus Ensemble: Modfest 2007:4 Vassar College
iTunes: Cygnus Ensemble/Furious Artisans
Squire
Allworthy’s Menuetto, for cello and guitar (2005) (ACA)
6:00
The
Claremont Duo:
Schloss
Horst, Germany 18 March 2005 (world premiere)
Bargemusic
NYC 31 March 2005
Bargemusic NYC 1 April 2005
Castelnau,
for string quartet (2002) (Tunbridge Music)
14:00
The
Momenta Quartet
December 16, 2005: Symphony Space (NYC)
March 4, 2002: Galapagos Brooklyn NY
Momenta Quartet/Centaur Records 2789
Untimely
Obervations, for viola and piano (2002) (Tunbridge Music)
14:00
Stephanie
Griffin and Blair McMillen
April 10, 2003: League of Composers/ISCM, Americas Society
NYC
May 22, 2002: Paul Hall, Juilliard School of Music
Stephanie Griffin/Centaur Records 2789
Prospect
Retrospect, for cello and piano (2002) (ACA)
7:00
October
13, 2002: Fred Sherry and Stephen Gosling, Kaufman Hall NYC
Fred Sherry, Blair McMillen/Centaur Records 2789
Dance
Moments, for flute and piano (2000) (Tunbridge Music)
6:00
Ensemble
Surplus
June 28, 2004 E:Werk, Freiburg
July 3, 2004 MDR Festival Leipzig
New York New Music Ensemble
December 8, 2002 Fullerton Friends of Music, Fullerton
Callifornia
Sepetember 11, 2002 Biblioteca Angel Arango, Bogota
Colombia
April 23, 2002 Symphony Space, NYC
New York
Flute Club: December 15 2002, CAMI Hall NYC
East
River, for violin and piano (1996) (ACA)
10:00
Curt
Macomber, James Winn March 22, 1999 Washington Square
Chamber Music Society
Nod Quiet Ox, for oboe and piano (1994) (Tunbridge Music)
9:00
June 4,
2003: Fabian Menzel and Bernhard Endres, Musikhochschule
Nürenberg
March 23 2000: The Fromm Players at Harvard
The Parnassus Ensemble
October 30, 1999: U. Pittsburgh
October 26, 1999: Rock Hall, Temple U. Philadelphia
The League/ISCM/Marcia Butler: Weill Recital Hall NYC,
February 21, 1995
Fabian
Menzel and Bernhard Endres. Antes/Bella Musica Records
Enharmonicon,
for clarinet trumpet and violin (1994) (ACA)
15:00
The
Parnassus Ensemble
NYC October 6, 1994: Merkin Concert Hall
October 8, 1994: Rock Hall, Temple U. Philadelphia
on
the river the shadowy group
for baritone sax and piano (1993) (Tunbridge Music)
7:00
Marshall
Taylor and Charles Abramovic
January 22 2001: “Genealogies,“ Manhattan School of Music
Network for New Music “Music of Matthew Greenbaum” May 3
2000: Christ & St. Stephen’s Church NYC
Marshall Taylor, Charles Abramovic/Centaur Records 2789
CHAMBER
MUSIC WITH VOICE
Wild
Rose, Lily, Dry Vanilla, for soprano, flute, oboe, violin,
cello 7:00
guitar and banjo (2004) (Cygnus
Editions)
The
Cygnus Ensemble/Haleh Abgheri
May 13,
2004: NY Society for Ethical Culture
May 12,
2004: Sarah Lawrence College
iTunes: Re’ut Ben Ze’ev with the Cygnus Ensemble/Furious
Artisans
Psalter,
for mezzo, alto flute, English horn, string trio 14:00
harp and piano (1992) (ACA)
The
Parnassus Ensemble /Joyce Castle
New York Society for Ethical Culture: September 3, 1992
Network for New Music/Christine Schadeberg
Settlement School, Philadelphia April 24 1992
Joyce Castle, with Parnassus/Centaur Records 2789
The
Tale of Murasaki for soprano and piano (1994) (ACA)
10:00
ORCHESTRAL MUSIC
The
Boatman Sings What Belongs to Him:
Symphony in Three Movements (2006-8) (ACA)
20:00
Spherical
Music for piano and chamber orchestra (1995-2002) (ACA)
16:00
Riverside
Symphony/Christopher Taylor, February 8, 2002: Alice Tully
Hall, NYC
Orchestra 2001/Charles Abramovic: March 29, 1996 Swarthmore
College
March 31, 1996 Philadelphia Museum of Art
CHAMBER OPERA AND THEATER WORKS
What
We Owe the Invertebrates, for narrator and slides (2008)
10:00
Cindy
Bellen-Berthéezène Chelsea Art Museum. April 30 2008
A
Floating Island (2000): chamber opera (ACA)
25:00
May 1,
2006: PPMP/Atelier Series. Ethical Society, Phila.
April 1, 2001: Masahito Sugihara and others, Northwestern
U.
Network
for New Music “The Music of Matthew Greenbaum”
May 3, 2000: Christ & St. Stephen’s Church NYC
April 16, 2000: Rock Hall, Temple U. Philadelphia
Cyndie Bellen-Bethézene, Network for New Music (excerpts)
Centaur Records 2789
Monologues
for narrator and piano (1999) (ACA) 18:00
Network
for New Music “The Music of Matthew Greenbaum”
May 3, 2000: Christ & St. Stephen’s Church NY
Crossing
Brooklyn Ferry, for baritone and bass clarinet, horn,
vibraphone, horn, and string trio (1996): Monodrama (ACA)
20:00
The
Parnassus Ensemble/Victor Ledbetter, Merkin Concert Hall,
February 26, 1998
Various
Incidental Music: Alabama
Shakespeare Festival (1985-87)
OTHER RECORDINGS
Amulet,
for piano solo. David
Holzman, Centaur CRC 2291
Mischsprache,
for piano and electronic sounds: David
Holzman, CRI SD 538
Chamber
Music, for flute, cello and piano: The
Contemporary Trio CRI SD 513
VIDEO
ART
ON
BROADWAY 2008
(7:00)
ONTOGENY
2008
(6:00)
APPROXIMATE
MAN 2007
(19:00)
WHAT WE
OWE THE INVERTEBRATES: Music, Video and Text Pieces by
Matthew Greenbaum. Chelsea Art Museum. April 30 2008
'Petri Dishes', THE ANNEX /HiArt Gallery Feb. 1-4 2008
PAPER
DISSOLVE
for
computer-generated sound (2004). Video:
Andrea Ackernan
SEAMUS 20th
Anniversary,
Temple U
REVIEWS
Mark
Greenfest, New
Music Connoisseur (2008)
Interview, Leipziger
Volkszeitung July 15, 2004:
“Intellectueller Neutöner”
Badische Zeitung 6/30/04: “Mit Paukenschlag: Yun, Czernowin
und andere:
Das Ensemble Surplus in Freiburg
Seen and Heard International Concert Review: R.W, Emerson
Festival, hosted by
John Hollander, New York Society for Ethical Culture, May
13th
2004
Leslie Kandell, American Record Guide Jan-Feb 2003: “Wolpe
gets his due”
Paul Griffiths, NY Times: Wolpe at 100, Still Full of
Anger”
Paul Griffiths, NY Times: “Two Restless Piano Works Come
Home” March 3,1998
Alex Ross, NY Times: “Parnassus Plays Wolpe” September 5,
1992
James R. Oestreich, NY Times: “When Old is New and Modern
is History” October 30, 1996
Bernard Holland, NY Times: “Silence and Salesmanship in a
Program of New Music,” October 8, 1994
Bernard Holland, NY Times: “Words Celebrate Composer” May
6, 1993
Anthony Tommassini, The Boston Globe: “The ever-changing
sounds of Randall Hodgkinson,” Feb. 4 1992
Daniel Webster, Philadelphia Inquirer: “James Freeman with
Orchestra 2001” June 1, 1996
Daniel Webster, Philadelphia Inquirer: “Oboist as muse and
interpreter” October 28, 1999
Lesley Valdes, Philadelphia Inquirer: “Berio Work at
Settlement School” April 25, 1992
American Record Guide March/April 1998: Explorations:
New American Piano Music—Pleskow, Cornicello, Greenbaum,
Boros, Ytrehus”
Daniel Webster, Philadelphia Inquirer: “Gearing up for his
opera’s premiere at Temple”
May 2, 1997
Daniel Webster, Philadelphia Inquirer: “An operatic
retelling of 3 Ovid tales” May 7, 1997
Jennifer Dunning, NY Times: “Trying to Get the Most from
Going the Wrong Way” November 10, 1994
Andrew Porter, The New Yorker, “Parnassus” March 15, 1987
Leighton Kerner, The Village Voice: “Riding the Twain”
October 8, 1994
Neue Westfalische: Maxine Neuman und Paul Posnak
begeisterten mit ihrem Vortrag
March 19, 1981
Westfalen-Blatt #60: “Europäische Erstaufführungen
amerikanischer Komponisten”
Westfalen-Blatt Nr. 66: :Zuhörer verspürten echte
musikalische Leidenschaft”
Musikalnaie Kadri [Leningrad] #11
Richard Buell, The Boston Globe: “Fromm Players introduce
compelling, creative pieces” March 29, 2000